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Bocsu JUNG

Bocsu JUNG, Savina Museum of Contemporary Art

Birth

1955, Uiryeong

Genre

Painting, Installation

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Bocsu JUNG's Solo Exhibition_curated by Jae Hyun KANG
Artist
Bocsu JUNG
Museum

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Many years ago, Jung Bocsu said that his figure painting was a record of the 'agony of man and the vanity of the body' and a 'psychological map of eternally lonely man'. Jung's figure painting seems to show uncertain contemplations running through philosophical human images and biological human images materialized as images. Some aspects of his figure painting are representations of the perceptions of his ego, the conscious "I", and other aspects inspired by what others have done. As a result, he contemplates the chaos that occurs where "I" and others are undistinguishable, and the agony and vanity of others are identified with his own (agony and vanity). It is for this reason that nearly all of the figures in Jung's paintings are naked. Nakedness itself tends to express the essence and purity of man and upholds the universal human image into which both oneself and others are united. Jung's figure painting is still a record on memories of the body, and formatively expresses contemplations based on the biological existence of the body.

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