Boyoung JEONG's Solo Exhibition_curated by Nayoung HAN
Jeong’s painting primarily starts by framing the object in a camera lens. When the process is moved onto a canvas, through the act of painting, the absent substances are indexicalized into “objects with numerous meanings.” Space and objects in a painting are embraced and refined by a brush, and the silhouettes of figures undergo the process of dissolution. By carefully observing this progress, we can recognize layers of Jeong’s works that can no longer be read through the logic of representation or painting.